"If there were more there would be too many to convey the impression in which half the beauty resides—the impression, somehow, of something dreamed and missed, something reduced, relinquished, resigned: the poetry, as it were, of something sensibly gone." Fleda ingeniously and triumphantly worked it out. "Ah, there's something here that will never be in the inventory!" "Is that what you came to ask me?" Fleda demanded.!

But Fleda went luminously on; she once more enjoyed her great command of her subject: "I think that when you came to see me at Maggie's you saw too many things, you had too many ideas." Fleda hesitated; she had not quite had a definite idea. "Well—he'll give them up."

"Why not, with such a studied omission on his part to gloss over in any manner the painful tension existing between them—the painful tension that, under providence, I've been the means of bringing about? He gives you by his silence clear notice that his marriage is practically off." "I want to take her in the right way, don't you know?—treat her as if I gave her more than just an hour or two." "I knew what she wanted to say to me: that's why I was determined to get her off. I knew I shouldn't like it, but I was perfectly prepared," said Owen. "She brought it out as soon as we got round the corner; she asked me point-blank if I was in love with you."